Foo Fighters: Back and Forth

POST 16

http://www.variety.com/review/VE1117944914/

Posted: Mon., Mar. 28, 2011, 10:55pm PT

Foo Fighters: Back and Forth

(Documentary)

A Cinedigm Digital Cinema Corp. release of an Exclusive Media Group, RCA Records and Back and Forth Media presentation of a Spitfire Pictures production in association with Allentown Prods. Produced by Nigel Sinclair, James Moll. Executive producers, Jeanne Elfant Festa, Glen Zipper, Michelle Farinola, John Silver, Gaby Skolnek, John Cutcliffe, Alex Brunner, Chris Miller. Directed by James Moll.
With: Dave Grohl, Taylor Hawkins, Pat Smear, Chris Shiflett, Nate Mendel, William Goldsmith, Franz Stahl, Butch Vig, Krist Novoselic, Bob Mould.

Back in the music industry’s fat years, by-the-numbers band docs like “Foo Fighters: Back and Forth” were relegated to special-edition CD releases. This one is set for an 80-theater rollout, and does little to justify such exposure. Covering all the bases of the affable band’s career, James Moll’s toothless bio has no inclination to follow up on the plentiful intriguing themes that a more accomplished film would highlight, but as a fan-friendly valentine to an enduringly popular group — accompanied theatrically by 3D performance footage, and slated to air on VH1 afterward — it should nonetheless play well to the faithful.

While the band’s individual members have impressive pedigrees, the Foo Fighters were unlikely candidates for superstardom. Starting as a therapeutic solo project for Nirvana drummer Dave Grohl after his bandmate Kurt Cobain’s suicide, the Foo’s first record was a lo-fi bedroom demo featuring Grohl on every instrument. Subsequently fleshed out into a real band with former Germs guitarist Pat Smear and a rhythm section poached from proto-emo outfit Sunny Day Real Estate, the group unexpectedly went on to move millions of albums, win six Grammys and sell out Wembley Stadium while weathering some acrimonious lineup changes, a drug overdose and a wearying series of tours.

Collecting interviews with all band members past and present, Moll doesn’t push for anything beyond the most diplomatic commentary from his subjects: They’re all funny, generally forthright and almost entirely unrevealing. This is not to say that the film would be better if it wallowed in the heartbreaks and excesses of rock ‘n’ roll life, but a little dose of insight could have gone a long way. Surely these men have reflections on building a reliable workhorse of a band from the ashes of three spectacular flameouts, or maintaining the band’s status as one of the very few straightforward rock acts still capable of topping the charts year in and year out.

Grohl in particular cries out for a more thorough portrait. He’s among the best drummers of his generation, yet he’s spent half his career playing rhythm guitar; he’s played the stable straight man to one of modern music’s most erratic figures and he’s also been hospitalized for excessive caffeine consumption; he’s built a reputation as “rock’s most likable frontman,” yet he’s given to authoritarian impulses that have seen him alienate and expel even close personal friends from his band. There’s clearly a fascinating man behind the gum-smacking drinking-buddy persona, but it’s one we learn little about here.

After zipping through the band’s discography with enthusiastic if unexciting precision, the film slows down considerably for an extended coda documenting the genesis of the Foo’s upcoming seventh studio album, “Wasting Light.” The recording process seems a charmingly low-key affair, and we see homevideo-style footage of the band laying down tracks in Grohl’s home studio while band members’ families and famous friends like Husker Du’s Bob Mould and Nirvana bassist Krist Novoselic drop by. But the sheer length of this segment only adds to the nagging suspicion that the film’s purpose is far more promotional than advertised. (The album is set to hit stores a few days after this film hits VH1.)

Audiovisual quality is topnotch all around, and the pace rarely lags, despite a somewhat overlong running time.

Camera (color), Harris Done; editor, Tim Calandrello; sound, David Barnaby, Ethan Beigel; re-recording mixer, Larry Benjamin; line producer, Shannon Dill; assistant director, Chris King. Reviewed at SXSW Film Festival (24 Beats Per Second), March 15, 2011. Running time: 102 MIN.

My Take:

I honestly cannot wait for this documentary to come out. The Foo Fighters are my favorite band, I love everything they do! From the trailer it is obvious that this is a well put together film. The people that they brought together to put this film together is genius. These people are more than qualified and with that, this promises to be one of the best band documentaries of its time. It is a documentary about how the Foo’s originally got together. It is about their journey and their success. This film will only be played in select theaters around the world all at the same time. Afterward the Foo’s will  be performing every song from their new album Wasting Light. The concert will be produced in 3D and from my understanding, will be epic. I don’t know of any other musical artist or group to release a film in theaters for one night only and then have a live concert right after. I think that this is a great move on the part of the Foo Fighters and their media team. It will bring their fans closer together and will provide the fans with a renewed sense of devotion.

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